The series.

Four ideas.
One practice.

Every piece I make begins with the same question: what happens when a considered form meets the unpredictable energy of the kiln. Over time, that question has taken four distinct shapes — each with its own name, its own logic, its own relationship to fire and surface.

They're not separate collections. They're four ongoing conversations, made by the same hands, in the same studio, using the same fire.

ECHO

Geometry, repeated. ECHO began as a study in architectural form with clean, cone-on-cone silhouettes. The same shape echoes across scale and function: a side table, a console, a lamp, one continuous idea.

A black cylinder object with a matte finish, placed on a black platform against a plain light background.
A decorative outdoor table with a cylindrical base made of textured light-colored material, and a round, flat top with a slightly raised edge, set on a stone patio.

VEIL

Texture over structure. In the VEIL series, hand-knotted fiber conceals the ceramic form beneath it — soft to look at, solid underneath. Each length is combed and set by hand before the piece ever meets its kiln-fired top.

DRIFT

Form, shaped by erosion. DRIFT pieces have no fixed silhouette to return to — each one accumulates the way stone is shaped by time and weather, not by plan. What begins soft and unstructured is fired into something permanent

Close-up of a textured, weathered, foam-covered object with patches of black and blue paint.
Close-up of a purple and yellow flower in a white and blue marbled ceramic vase on a wooden table, with another similar vase in the background containing yellow flowers.

HOLD

A pause, a breath, a place to capture something; fruit, flowers, light, attention. We are everything we hold and everything we let go.

Same hands. Same fire.
Four questions.

Each series is its own investigation, but they all come from the same place — literally. The surfaces you see across ECHO, VEIL, DRIFT, and HOLD are shaped by the land and light of San Miguel de Allende, translated into high-fire stoneware and porcelain, one piece at a time.